THE GREEN LAKE SHOP
Translating our client’s ideas into beautiful custom jewelry
to celebrate the iconic moments in life since 1996.
Your piece was crafted in the
the Seattle studio
The Seattle shop was our first large scale facility with room for 50+ artists. It includes a state of the art casting and production shop, all visible to the public. The design studio has 14 design stations, private meeting rooms and a full scale coffee and wine bar.
Green Lake Jewelry Works opened its doors on Seattle’s Green Lake Drive in 1996. Since then, its craftspeople have grown to win national recognition for excellence in the art of fine jewelry making with two distinct workshops where each piece is made by hand.
The flagship Seattle studio is home to all metal casting and a majority of 3D printing technologies for Green Lake Jewelry Works. Its workshop is also home to some of the talented most jewelers in the country, where a tradition of dedicated craftsmanship is passed from masters to journeymen and women.
YOUR CUSTOM DESIGN
Custom jewelry at Green Lake always begins with ideas, inspirations, and a sketch, where the many design elements that make for the perfect ring are discovered through ideation.
Oftentimes, a ring will go through many iterations and changes along the way before the final look is achieved.
DESIGNING YOUR PIECE
Ideas and inspirations used in your project.
Rebecca marries her passion for precious metals and gemstones with the fast pace of creating unique and different ideas, all while working within a team of master craftsman on behalf of her clients.
After receiving her Bachelor’s of Fine Art in Jewelry Design and Metalsmithing from Rhode Island School of Design, Rebecca spent her early years working with various high-end fine jewelers in Boston. Later, Rebeccca moved to New York City, where she spent a decade designing fashion jewelry for several global brands. With the technical knowledge necessary to design structurally sound pieces and a fashion background in translating drawings into beautiful jewelry, Rebecca can rapidly troubleshoot and create alternate ideas with excellence in communicating a vision.
Your gemstone was hand and eye selected from thousands of stones that we view before choosing the finest, most beautiful gems that suit our very choosy designers and clients.
We are as picky about our gems as we are about every other aspect of our work.
GREEN LAKE GEM LAB
Above and BeyondTM Gemstones
The Green Lake Gem Lab sources rare stones through a responsible network of globally dispersed miners and reputable traders, and verifies the validity of each gem with sophisticated testing equipment and independent certifications.
THE KIMBERLY PROCESS
Green Lake’s collection of diamonds only maintain gems with certifications from the GIA or other internationally recognized laboratories, all with an assurance of the Kimberly Process Certification Scheme — the UN resolution passed in 2000 to ensure ‘conflict diamonds’ do not enter the global supply chain.
Engineering the X, Y, and Z coordinates of a design is not only a way to inform sophisticated milling and growing machines to create a model; they’re also a powerful way to communicate the vision for a ring.
Realistic renderings and physical models help transform sketched ideas into reality in an interplay between the client, the designer and the CAD team, all of whose input and ideas help create something that both looks right and fits perfectly.
The entire Green Lake project team collaborates on each piece, adding nuanced details and subtle improvements to the design, all while making sure that design cohesiveness, stability on the finger, and stone security are perfected.
Bringing your design to life
Lost-wax casting is thousands of years old, and it’s how we still cast today. From the increasingly rare skill of carving by hand, to the employment of digitally guided milling machines, blocks of wax are cut down into precise models.
These models are used both for design ideation and adjustment and casting the actual piece.
At the workshop, the model was cast in a specialty plaster-like investment and heated to release the wax or resin from its mold, then cast using a specialized induction casting machine from Italy.
CLEANUP & DETAILING
Each ring in a small casting batch shares a common vein of gold or platinum, from where it’s cut and prepared for setting. Rough castings first need to be carefully cleaned and polished before more bench work can be done. Even the inner surfaces are carefully detailed.
100 PERCENT RECYCLED
Green Lake’s use of gold and platinum comes from 100% recycled or certified Fairmined sources. We are one of the nation’s first adopters of recycled casting grain certified by SCS Global Services. Today we return all scrap and unused noble metals for refining in a transparent supply chain.
All areas of old-world jewelry making are completed in a single workshop. Master gold and platinumsmiths receive rings from casting and set to care for each pieces as a one-of-kind, collaborating with designers to ensure each detail is included.
It required steady hands and confident mastery to set your gemstone for a lifetime of confident wear. Gems can be especially small and terribly rare, so the responsibility for this final stage in crafting a ring falls to our most experienced professionals.
Each custom made item in the Green Lake workshop receives a final polish before it’s carefully inspected and reviewed for standards of excellence. Each project is at last stamped with the Green Lake leaf quality mark before delivery.
YOUR FINISHED PIECE
Custom 950 platinum ring holding (1) 4-prong set GLJW provided emerald cut diamond center stone with (2) prong set GLJW provided pear cut diamond side stones. The side stones are set on the shoulders with a chevron prong on the pointed ends which face away from the center setting. Scalloped halo forms around the remainder of the center stone with a total of (14) bezel set GLJW provided round cut diamond melee. Reversely tapered shank with an additional (16) GLJW provided round cut diamond melee bead set in (2) rows extending halfway down both sides of the ring. This ring has milgrain individually framing the scalloped halo stones and separating the rows of stones on the shank. Also, "T+J 09-11-17" hand engraved in block font on the inside. All with a high polish finish.